{"id":6684,"date":"2024-05-06T08:53:44","date_gmt":"2024-05-06T08:53:44","guid":{"rendered":"https:\/\/matthewhockaday.com\/?page_id=6684"},"modified":"2025-12-26T08:04:50","modified_gmt":"2025-12-26T08:04:50","slug":"clarinet-1","status":"publish","type":"page","link":"https:\/\/matthewhockaday.com\/cs\/clarinet-1\/","title":{"rendered":"Klarinet"},"content":{"rendered":"
\n\t\t\t\t
\n\t\t\t\t<\/div>\n\t\t
\n\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

Klarinet<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

\"The Clarinet possesses a nuanced tone which can be associated with love, communication and confidence. I feel free when I play.\"<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
\n\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

Na klarinet za\u010dal hr\u00e1t v 8 letech na ZU\u0160 \u017derot\u00edn v Olomouci. V roce 2019 p\u0159estoupil do ZU\u0160 I\u0161i Krej\u010d\u00edho v Olomouci, kde \u010dty\u0159i roky studoval pod veden\u00edm pan\u00ed u\u010ditelky Zde\u0148ky Andre\u00e1\u0161ov\u00e9. V z\u00e1\u0159\u00ed 2023 nastoupil do t\u0159\u00eddy prof. Milana Pol\u00e1ka na Gymn\u00e1ziu a Hudebn\u00ed \u0161kole hlavn\u00edho m\u011bsta Prahy.<\/p>

V leto\u0161n\u00edm \u0161koln\u00edm roce 2023\/24 je stipendistou presti\u017en\u00edho stipendijn\u00edho programu Akademie MenArt, kde studuje pod veden\u00edm klarinetisty doc. Irvina Veny\u0161e (HAMU, Praha). Zku\u0161enosti z\u00edsk\u00e1v\u00e1 tak\u00e9 na mistrovsk\u00fdch interpreta\u010dn\u00edch kurzech pod veden\u00edm v\u00fdznamn\u00fdch \u010desk\u00fdch i zahrani\u010dn\u00edch pedagog\u016f (Milan Pol\u00e1k, V\u00edt Spilka, Jan Mach, Anna Paulov\u00e1, Paolo Beltramini).<\/p>

Matthew je s\u00f3lov\u00fd klarinetista, je sou\u010d\u00e1st\u00ed tria MaJeStic (klarinet - Matthew Hockaday, housle - Jan Cerman a klav\u00edr - Semjon Yakimov), tria Brahms (klarinet - Matthew Hockaday, cello - Seoyeon Lim a klav\u00edr - Semjon Yakimov) a klarinetov\u00e9ho kvarteta. Hraje tak\u00e9 s dechov\u00fdm orchestrem ZU\u0160 I\u0161\u00ed Krej\u010d\u00edho.<\/p>

Od 8 let se pravideln\u011b \u00fa\u010dastn\u00ed Letn\u00ed hudebn\u00ed \u0161koly ve Velk\u00e9 Brit\u00e1nie (Kent Music Summer School). P\u016fsob\u00ed jako 1. klarinetista ve dvou ml\u00e1de\u017enick\u00fdch orchestrech ve Velk\u00e9 Brit\u00e1nii \u2013 v Kent Youth Wind Orchestra (KYWO) a v Kent County Youth Orchestra (KCYO).<\/p>

Matthew dosahuj v\u00fdborn\u00fdch v\u00fdsledk\u016f v n\u00e1rodn\u00edch i mezin\u00e1rodn\u00edch sout\u011b\u017e\u00edch. Mezi jeho nejv\u011bt\u0161\u00ed \u00fasp\u011bchy pat\u0159\u00ed \u010destn\u00e9 uzn\u00e1n\u00ed 2.stupn\u011b a speci\u00e1ln\u00ed cena nadace Bohuslava Martin\u016f na mezin\u00e1rodn\u00ed rozhlasov\u00e9 sout\u011b\u017ei Concertino Praga 2024, Platinov\u00e1 cena v European Classical Music Awards (2025), 1.cena v London Classical Music Competition (2025, UK), Zlat\u00e1 medaile s \u010destn\u00fdm uzn\u00e1n\u00edm na 8. Manhattan International Music Competition (2024, USA), Platinov\u00e1 cena v London Young Musician (2022\/23, Velk\u00e1 Brit\u00e1nie), 1. cena v International Mozart Competition Vienna (2023, Rakousko), 1.cena v London Classical Music Competition (2023, Velk\u00e1 Brit\u00e1nie), 1.cena v International Music Competition OPUS (2023, Polsko), 2.cena v International Moscow Music Competition (2021, Rusko) a 2.cena v Classic Music Competition \u201ePerusia Harmonica\u201c (2021, It\u00e1lie).<\/p>

Je dr\u017eitelem 1.ceny a titulu laure\u00e1ta z mezin\u00e1rodn\u00ed interpreta\u010dn\u00ed sout\u011b\u017ee Pro Bohemia Ostrava 2023, 1.ceny z \u00dast\u0159edn\u00edho kola sout\u011b\u017ee \u017e\u00e1k\u016f ZU\u0160 ve h\u0159e na klarinet (2022) a t\u0159\u00ed 1.cen a Speci\u00e1ln\u00ed ceny za mimo\u0159\u00e1dn\u00fd klarinetov\u00fd projev z celost\u00e1tn\u00ed sout\u011b\u017ee ve h\u0159e na d\u0159ev\u011bn\u00e9 dechov\u00e9 n\u00e1stroje Litv\u00ednovsk\u00e9 d\u0159evohran\u00ed (2020, 2021 a 2022). Z\u00edskal tak\u00e9 1.cenu s triem B\u0159ahms, 1.cenu s klarinetov\u00fdm kvartetem a 2.cenu s triem MaJeStic v sout\u011b\u017ei Camerata Teplice 2025.\u00a0<\/p>

V roce 2021, Matthew hr\u00e1l 8.symfonii v G dur od Anton\u00edna Dvo\u0159\u00e1ka s Moravskou filharmoni\u00ed Olomouc (MFO). V listopadu roku 2023, vystoupil jako s\u00f3lov\u00fd klarinetista s Jan\u00e1\u010dkovou filharmoni\u00ed Ostrava (JFO) pod taktovkou dirigenta Stanislava Vav\u0159\u00ednka. Zahr\u00e1l klarinet\u016fv koncert Es-dur, op.36 od Franti\u0161ka Kram\u00e1\u0159e.\u00a0V \u010dervnu roku 2023, m\u011bl sv\u016fj prvn\u00ed recit\u00e1lov\u00fd koncert v Arcibiskupsk\u00e9m pal\u00e1ci v Olomouci, kde se p\u0159edstavil ve h\u0159e na klarinet, klav\u00edr, zobcovou fl\u00e9tnu a v s\u00f3lov\u00e9m zp\u011bvu. V prosinci roku 2023, zahr\u00e1l na v\u00e1no\u010dn\u00edm koncert\u011b v galerii Toyen v Praze.\u00a0<\/span><\/p>

\u00a0<\/span><\/p>

V b\u0159eznu roku 2024, zahr\u00e1l na koncert\u011b mlad\u00fdch talent\u016f na z\u00e1mku v Pr\u016fhonic\u00edch a odehr\u00e1l sv\u016fj druh\u00fd recit\u00e1lov\u00fd koncert na 51.ro\u010dn\u00edku festivalu Preludium Aloise Mot\u00fdla v Kl\u00e1\u0161tern\u00edm kostele v \u0160umperku. V dubnu roku 2024, se p\u0159edstavil jako s\u00f3lista se symfonick\u00fdm orchestrem hl.m.Prahy (FOK) ve Smetanov\u00e9 s\u00edni Obecn\u00edho domu v Praze. Tento koncert byl sou\u010d\u00e1st\u00ed s\u00e9rie Mlad\u00e9 talenty Josefu Sukovi pod taktovkou dirigenta Arthura Posta.\u00a0<\/span>V kv\u011btnu roku 2024 odehr\u00e1l sv\u016fj t\u0159et\u00ed recit\u00e1lov\u00fd koncert v Arcibiskupsk\u00e9m pal\u00e1ci v Olomouci. V \u010dervnu 2024 vystoupil jako s\u00f3lista se Z\u00e1pado\u010desk\u00fdm symfonick\u00fdm orchestrem (ZSO) v Mari\u00e1nsk\u00fdch l\u00e1zn\u00edch pod veden\u00edm dirigenta Radka Babor\u00e1ka. Vystoupil tak\u00e9 na presti\u017en\u00edm festivalu Smetanova Litomy\u0161l 2024.<\/span><\/p>

\u00a0<\/span><\/p>

V r\u00e1mci Dvo\u0159\u00e1kov\u00e9 mezin\u00e1rodn\u00ed rozhlasov\u00e9 sout\u011b\u017ee pro mlad\u00e9 hudebn\u00edky Concertino Praga 2024 zahr\u00e1l na \"Talent Stage\" mezin\u00e1rodn\u00edho hudebn\u00edho festivalu Dvo\u0159\u00e1kova Praha a d\u00e1le na koncertech Jiho\u010desk\u00e9ho festivalu.\u00a0<\/p>

\u00a0<\/p>

V lednu roku 2025 zahr\u00e1l na Hudebn\u00ed Odyssee v \u00c1triu na \u017di\u017ekov\u011b v r\u00e1mci akademie MenArt. V kv\u011btnu odehr\u00e1l sv\u016fj \u010dtvrt\u00fd recit\u00e1lov\u00fd koncert v Arcibiskupsk\u00e9m pal\u00e1ci v Olomouci. Pozd\u011bji v srpnu se p\u0159edstavil na zahajovac\u00edm koncert\u011b 8.ro\u010dn\u00edku akademie MenArt v Redut\u011b v Olomouci spole\u010dn\u011b se skv\u011blou klav\u00edristkou Norou Lubbadovou a houslistou Matteo Hagerem. V \u0159\u00edjnu zahr\u00e1l Montiho Czardas na slavnostn\u00edm vyhl\u00e1\u0161en\u00ed ,,Hra\u010dka roku\" a v listopadu byl sou\u010d\u00e1st\u00ed profesion\u00e1ln\u00ed poroty 27. ro\u010dn\u00edku Zlat\u00e9ho O\u0159\u00ed\u0161ku.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t
\n\t\t\t\t\t\t\t
\n\t\t\t
<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
\n\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t
\n\t\t\t
<\/div>\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

\u00a0<\/p>

Bohuslav Martin\u016f: Sonatina pro klarinet a klav\u00edr, H.356<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

\n\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t
\n\t\t\t
<\/div>\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

\u00a0<\/span><\/p>

Andr\u00e9 Messager: Solo de Concours<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

\n\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t
\n\t\t\t
<\/div>\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

Vittorio Monti: Czardas<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

\n\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t
\n\t\t\t
<\/div>\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

Frant\u00ed\u0161ek Kram\u00e1\u0159-Krommer: Koncert pro klarinet a orchestr Es dur, op.36<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

\n\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t
\n\t\t\t
<\/div>\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

Henri Rabaud: Solo de Concours op.10 for clarinet and piano<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t
\n\t\t\t\t\t\t\t
\n\t\t\t
<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
\n\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t
\n\t\t\t
<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>","protected":false},"excerpt":{"rendered":"

Clarinet “The Clarinet possesses a nuanced tone which can be associated with love, communication and confidence. I feel free when I play.” Matthew started playing the clarinet at the age of eight at the Elementary School of Arts \u017derot\u00edn in Olomouc. In 2019, he transferred to the Elementary School of Arts I\u0161a Krej\u010d\u00ed Olomouc, where […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"site-sidebar-layout":"no-sidebar","site-content-layout":"page-builder","ast-site-content-layout":"full-width-container","site-content-style":"unboxed","site-sidebar-style":"unboxed","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"disabled","footer-sml-layout":"disabled","ast-disable-related-posts":"","theme-transparent-header-meta":"enabled","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"set","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"class_list":["post-6684","page","type-page","status-publish","hentry"],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/matthewhockaday.com\/cs\/wp-json\/wp\/v2\/pages\/6684","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/matthewhockaday.com\/cs\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/matthewhockaday.com\/cs\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/matthewhockaday.com\/cs\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/matthewhockaday.com\/cs\/wp-json\/wp\/v2\/comments?post=6684"}],"version-history":[{"count":395,"href":"https:\/\/matthewhockaday.com\/cs\/wp-json\/wp\/v2\/pages\/6684\/revisions"}],"predecessor-version":[{"id":9360,"href":"https:\/\/matthewhockaday.com\/cs\/wp-json\/wp\/v2\/pages\/6684\/revisions\/9360"}],"wp:attachment":[{"href":"https:\/\/matthewhockaday.com\/cs\/wp-json\/wp\/v2\/media?parent=6684"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}